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Our production for 2024 will be As You Like It

List of venues and dates

Thursday 18th July, 2024 The Alverbank Hotel, Stokes Bay Rd, Alverstoke, Gosport, PO12 2QT
Friday 19th July, 2024 Stanford Rise Green, Sway, Hampshire SO41 6BB
Saturday 20th July, 2024 - 18:00 start
Buckler's Hard, New Forest, SO42 7XB   
Tuesday 23rd to Friday 26th, 2024c17th Village, Barrington Close, Howe Road, Gosport, PO13 8NZ
Saturday, 27th July, 2024
Hill Farm House, Droxford Road, Swanmore, SO32 2PY

All performances start at 19:30, except Buckler's Hard, which starts at 18:00.

Seats will be provided at c17th Village and Alverbank, please bring your own for all other venues.


Alverbank Hotel - www.alverbank.co.uk/events - Admission 14

Sway - swaytreas@hampshirewi.org.uk - Adults 10, Children under School Year 6 free

Buckler’s Hard - info@hshants.org.uk - Adult 12.50, Under 18 7.50, Family 30

17th Century Village - 02392 345346, ianwri@gmail.com - Adults 10, Children 8, Family (2 adults+2 children) 28.00

Swanmore - 07803 299973 - Adults 12, Children 6
 
 All profits in aid of local charities
 

Synopsis of the play courtesy of Wikipedia

(Please note some of Shakespeare's male characters will be female in our play)

Frederick has usurped the duchy and exiled his older brother, Duke Senior. Duke Senior's daughter, Rosalind, has been permitted to remain at court because she is the closest friend of Frederick's only child, Celia. Orlando, a young gentleman of the kingdom who at first sight has fallen in love with Rosalind, is forced to flee his home after being persecuted by his older brother, Oliver. Frederick becomes angry and banishes Rosalind from court. Celia and Rosalind decide to flee together accompanied by the court fool, Touchstone, with Rosalind disguised as a young man and Celia disguised as a poor lady.

Rosalind, now disguised as Ganymede ("Jove's own page"), and Celia, now disguised as Aliena (Latin for "stranger"), arrive in the Arcadian Forest of Arden, where the exiled Duke now lives with some supporters, including "the melancholy Jaques", a malcontent figure, who is introduced weeping over the slaughter of a deer. "Ganymede" and "Aliena" do not immediately encounter the Duke and his companions. Instead, they meet Corin, an impoverished tenant, and offer to buy his master's crude cottage.

Orlando and his servant Adam, meanwhile, find the Duke and his men and are soon living with them and posting simplistic love poems for Rosalind on the trees. It has been said that the role of Adam was played by Shakespeare, though this story is also said to be without foundation.[5] Rosalind, also in love with Orlando, meets him as Ganymede and pretends to counsel him to cure him of being in love. Ganymede says that "he" will take Rosalind's place and that "he" and Orlando can act out their relationship.

The shepherdess, Phebe, with whom Silvius is in love, has fallen in love with Ganymede (Rosalind in disguise), though "Ganymede" continually shows that "he" is not interested in Phebe. Touchstone, meanwhile, has fallen in love with the dull-witted shepherdess Audrey, and tries to woo her, but eventually is forced to be married first. William, another shepherd, attempts to marry Audrey as well, but is stopped by Touchstone, who threatens to kill him "a hundred and fifty ways".

Finally, Silvius, Phebe, Ganymede, and Orlando are brought together in an argument with each other over who will get whom. Ganymede says he will solve the problem, having Orlando promise to marry Rosalind, and Phebe promise to marry Silvius if she cannot marry Ganymede.

Orlando sees Oliver in the forest and rescues him from a lioness, causing Oliver to repent for mistreating Orlando. Oliver meets Aliena (Celia's false identity) and falls in love with her, and they agree to marry. Orlando and Rosalind, Oliver and Celia, Silvius and Phebe, and Touchstone and Audrey are all married in the final scene, after which they discover that Frederick has also repented his faults, deciding to restore his legitimate brother to the dukedom and adopt a religious life. Jaques, ever melancholic, declines their invitation to return to the court, preferring to stay in the forest and to adopt a religious life as well. Finally Rosalind speaks an epilogue, commending the play to both men and women in the audience.